‘The Zone of Interest’ Director Condemns War in Gaza as He Accepts Oscar for Best Int’l Film 

James Wilson (L) Leonard Blavatnik (C) and Jonathan Glazer (R) after winning the Oscar for the Best International Feature Film during the 96th annual Academy Awards ceremony at the Dolby Theatre in the Hollywood neighborhood of Los Angeles, California, USA, 10 March 2024. (EPA)
James Wilson (L) Leonard Blavatnik (C) and Jonathan Glazer (R) after winning the Oscar for the Best International Feature Film during the 96th annual Academy Awards ceremony at the Dolby Theatre in the Hollywood neighborhood of Los Angeles, California, USA, 10 March 2024. (EPA)
TT

‘The Zone of Interest’ Director Condemns War in Gaza as He Accepts Oscar for Best Int’l Film 

James Wilson (L) Leonard Blavatnik (C) and Jonathan Glazer (R) after winning the Oscar for the Best International Feature Film during the 96th annual Academy Awards ceremony at the Dolby Theatre in the Hollywood neighborhood of Los Angeles, California, USA, 10 March 2024. (EPA)
James Wilson (L) Leonard Blavatnik (C) and Jonathan Glazer (R) after winning the Oscar for the Best International Feature Film during the 96th annual Academy Awards ceremony at the Dolby Theatre in the Hollywood neighborhood of Los Angeles, California, USA, 10 March 2024. (EPA)

The harrowing Holocaust drama “The Zone of Interest,” which explores questions of complicity while depicting the mundane lives of a Nazi family in their home adjacent to the Auschwitz death camp, won the Academy Award for best international film.

“Our film shows where dehumanization leads, at its worst,” writer-director Jonathan Glazer said. “Right now we stand here as men who refute their Jewishness and the Holocaust being hijacked by an occupation which has led to conflict for so many innocent people. Whether the victims of October the 7th in Israel, or the ongoing attack on Gaza, all the victims, this humanization, how do we resist?”

Glazer's reference to Israel’s war in Gaza came after pro-Palestinian protesters snarled traffic around the Dolby Theatre as the Oscars kicked off.

In her review, The Associated Press’ Jocelyn Noveck wrote that Glazer “has found a way to convey the evil of Nazism without ever depicting the horror itself. But though it escapes our eyes, the horror assaults our senses in other, deeper ways.”

Glazer said he hopes the film will draw attention to current conflicts in the world. “All our choices are made to reflect and confront us in the present. Not to say, ‘Look what they did then,’ rather ‘look what we do now,” he said.

Sandra Hüller, one of the film's stars, wept as Glazer's hands shook while reading his acceptance speech.

Hüller plays Hedwig, the wife of Rudolf Höss (Christian Friedel), the bloodthirsty commandant of Auschwitz. The film was the United Kingdom's submission to the Oscars.

In the film, the couple and their children go about their daily routines — living in a home just on the other side of a stone wall from the gas chambers. Höss spends his work days overseeing the “processing” of trainloads of people, most sent directly to their deaths. Then he comes home, where he and Hedwig share meals, celebrate birthdays, read their kids bedtime stories and make vacation plans.

Glazer adapted the screenplay loosely from the 2014 Martin Amis novel of the same name, but chose to depict the real-life commandant. Aiming for a chilling meticulousness, the director pieced together the Höss family history and built the set for their home some 200 yards (183 meters) from where the real one once stood.

“The Zone of Interest” was also up for best picture, which made it the favorite to win in the international category. The film was nominated for five Academy Awards, including best sound, which it won; best director, which Christopher Nolan received for best picture winner “Oppenheimer;” and adapted screenplay, which went to Cord Jefferson for “American Fiction." Hüller was nominated for best actress for “Anatomy of a Fall,” but the award went to Emma Stone for “Poor Things.”

Last year the winner of best international picture was “All Quiet on the Western Front,” a German-language film set in World War I.

Also nominated for best international feature were “Society of the Snow” (Spain), “The Teachers’ Lounge” (Germany), “Io Capitano” (Italy) and “Perfect Days” (Japan).



‘Cute and Murderous’: How Squid Game’s Iconic Killer Doll Came to Life 

Players take part in the Red Light, Green Light game at Gelora Bung Karno Stadium ahead of the release of the Netflix series Squid Game: Season 2 on December 26 in Jakarta, Indonesia, December 22, 2024. (Reuters)
Players take part in the Red Light, Green Light game at Gelora Bung Karno Stadium ahead of the release of the Netflix series Squid Game: Season 2 on December 26 in Jakarta, Indonesia, December 22, 2024. (Reuters)
TT

‘Cute and Murderous’: How Squid Game’s Iconic Killer Doll Came to Life 

Players take part in the Red Light, Green Light game at Gelora Bung Karno Stadium ahead of the release of the Netflix series Squid Game: Season 2 on December 26 in Jakarta, Indonesia, December 22, 2024. (Reuters)
Players take part in the Red Light, Green Light game at Gelora Bung Karno Stadium ahead of the release of the Netflix series Squid Game: Season 2 on December 26 in Jakarta, Indonesia, December 22, 2024. (Reuters)

While the second season of "Squid Game" has new plot twists, one element of the Netflix mega-hit series where contestants down on their luck risk their lives to play children's games for the chance of winning cash prizes, has remained constant.

That is Young-hee, an innocent-looking robotic doll who in fact has a deadly role in the South Korean-made television series to find contestants to gun down playing the game "Red Light, Green Light" if she spots them moving.

Young-hee, who is clad in a simple orange dress and a hair clip, has become a viral meme on social media and the centerpiece of the streaming giant's promotional campaign.

Chae Kyoung-sun, the production designer for "Squid Game", said the doll's appearance had been partly inspired by her own daughter.

"My daughter had a bowl cut for a long time which was very cute so I decided to draw a very short bang," Chae told Reuters.

"Her eyes are a little crazy. She's a killing machine and the movement of her eyes had to be easy to see, so we made her eyes quite big."

The initial inspiration for Young-hee came from a girl of the same name on the cover of old primary school textbooks in South Korea, though the killer doll was initially conceived as genderless, Chae said.

The first season of "Squid Game" became the most-watched show on the streaming platform and expectations were high for the second season to replicate the success.

The new season of the dystopian thriller, released on Dec. 26, also broke a record as the most-watched show in its premiere week on the streaming platform, with 68 million views, according to Netflix.

The streaming giant said on Tuesday it gained a record 18.9 million subscribers in its fourth quarter thanks in part to the second season of Squid Game.

In 2023, Netflix announced a $2.5 billion investment in South Korea to produce Korean TV series, movies and unscripted shows.

Asked about the success of the show and this particular character, Chae put it down to their unorthodox nature.

"How does this cute kid suddenly turn into a killing machine? - I think the creation of the 'Squid Game' world by adopting unpredictable concepts and methods resonated with young people looking for fresh things," she said.

At the end of the second season, viewers also get a glimpse of Chul-su, a male doll set to appear in the next season alongside Young-hee that was originally envisaged for the first series.

"When they said there will be a second season and that Chul-su would appear, I brought back the drawings I had of Chul-su for the first season," Chae said.

"Think of it as a friend, a partner," she said.

The third and final season of Squid Game is set to be released later this year.